Moon River

Moving

Thu, 21 Sep 2006 22:02:16 GMT

Moving an apartment

Moving a city

Moving this blog permanently

http://mooonriver.blogspot.com/

Motion

Thu, 21 Sep 2006 11:47:10 GMT

Motion By Octavio Paz

If you are the amber mare
              I am the road of blood
If you are the first snow
              I am he who lights the hearth of dawn
If you are the tower of night
              I am the spike burning in your mind
If you are the morning tide
              I am the first bird's cry
If you are the basket of oranges
              I am the knife of the sun
If you are the stone altar
              I am the sacrilegious hand
If you are the sleeping land
              I am the green cane
If you are the wind's leap
              I am the buried fire
If you are the water's mouth
              I am the mouth of moss
If you are the forest of the clouds
              I am the axe that parts it
If you are the profaned city
              I am the rain of consecration
If you are the yellow mountain
              I am the red arms of lichen
If you are the rising sun
              I am the road of blood

New York City's Parks (Map)

Thu, 21 Sep 2006 11:26:21 GMT

Alan Sonfist. New York City's Parks 3 (Map)

Alan Sonfist. New York City's Parks 2 (Map)

Afternoon on a Hill

Thu, 21 Sep 2006 11:06:56 GMT

I will be the gladdest thing
Under the sun!
I will touch a hundred flowers
And not pick one.

I will look at cliffs and clouds
With quiet eyes,
Watch the wind bow down the grass,
And the grass rise.

And when lights begin to show
Up from the town,
I will mark which must be mine,
And then start down!

Edna St.Vincent Millay

spider web

Thu, 21 Sep 2006 08:54:49 GMT

Looks as if someone was trying to catch the moon...

the Floating World

Thu, 21 Sep 2006 08:52:07 GMT

HOKUSAI (1760-1849), From the series "Eight famous views from Edo" (Edo hakkei):
Evening rain in Yoshiwara - early 1800s

pictures of the floating world

Getting Evolution Up to Speed

Thu, 21 Sep 2006 08:37:24 GMT

"People like to think of modern human biology, and especially mental biology, as being the result of selections that took place 100,000 years ago," said University of Chicago geneticist Bruce Lahn. "But our research shows that humans are still under selection, not just for things like disease resistance but for cognitive abilities."

Lahn recently published the results of a study demonstrating that two key genes connected to brain size are currently under rapid selection in populations throughout the globe.

Some radical thinkers suggest human evolution needs to move even faster, with a little help from science.

"Biological evolution is too slow for the human species," said Ray Kurzweil, futurist and author of The Singularity Is Near. "Over the next few decades, it's going to be left in the dust." READ ALL

via anomalist

Honeymoon

Thu, 21 Sep 2006 08:03:43 GMT

According to Wikipedia (which in turn references the Oxford English Dictionary on the matter), the etymology of the word honeymoon is unclear. The American Heritage Dictionary (via answers.com) suggests it's "perhaps from a comparison of the moon, which wanes as soon as it is full, to the affections of a newly married couple, which are most tender right after marriage", which doesn't sound all that positive. Returning to the Wikipedia entry, honeymoon may have been used in Babylonian times to describe the bride and groom consuming honey (in the form of mead, a beverage) before the next moon. via kottke

The Scandinavian word for honeymoon is derived, in part, from an ancient Northern European custom in which newlyweds, for the first month of their married life, drank a daily cup of honeyed wine called mead. The ancient practices of kidnaping of bride and drinking the honeyed wine date back to the history of Atilla, king of the Asiatic Huns from A.D. 433 to A.D. 453.

So that leaves us with the question of where the "moon" in the word "honeymoon" originates. One piece of folklore relates that the origin of the word moon comes from a cynical inference. To the Northern Europeans the terms referred to the body's monthly cycle and, its combination with honey, suggested that not all moon's of married life were as sweet as the first. British prose writers and poets, in the 16th and 17th centuries, often made use of the Nordic interpretation of honeymoon as a waxing and waning of marital affection.

There are various explanantions for the origin of the tradition and also the name of honeymoon. The word honeymoon has its roots in Norse word "hjunottsmanathr" which was anything but blissful. The Northern European history describes it as the abduction of a bride from the neighboring village. It was imperative, that the abductor, who is husband to be, take his bride to be into hiding for period of time. His friends assured his and her safe keeping and kept their whereabouts unknown. Once the bride's family gave up their search, the bridegroom returns to his people. This folkloric explanation presumably is the origin of today's 'honeymoon', for its original meaning meant 'hiding'.

The Scandinavian word for honeymoon is derived, in part, from an ancient Northern European custom in which the newlyweds drank a daily cup of honeyed wine called 'mead' for the first month of their married life.

In Irish, the word honey is from "meala". The word for honeymoon is "mi na meala", meaning the "month of honey" and refers to how the bride and groom would spend that period of time. Irish monks first produced the fermented honey brew called mead for mead for medicinal purposes; then found it could make well people feel even better. Following the wedding a sufficient amount of mead was given to the bride and groom, along with special goblets, so they could share the unique brew for one full moon after the wedding--and thus the term honeymoon was coined. It was believed that this delicate yet potent drink was the best way to ensure a good beginning for a new marriage and it was also believe to endow powers of virility and fertility.

With so many explanations for the origin of the name and tradition of honeymoon, the most likely source is the medieval custom of couple consuming the mead for the first month of their marriage to ease them into married life and traditionally to increase their fertility. Honeymoons were a way to encourage conjugal bliss and the creation of children, a month of sanctioned sex.

Honeymoons are traditionally fraught with sexual innuendo coming from the time when most people didn't have sex until their wedding night. The wedding night and the following ones, became embued with a special sexual aura that everyone, including family and friends, would take advantage of. At one time, it was customary for all the female members of a bride's family to prepare her for bed on the wedding night and personally taking her to her new groom's bedroom, whispering instructions to the bride along the way. More recently, friends and well-wishers have been known to stand outside the bridal suite and make as much noise as possible. The idea being calling more attention to the fact that carnal relations are taking place in the bridal chamber.

Nowadays, when very few brides and grooms are virgins, wedding night and honeymoon has somewhat lost its appeal. Honeymoon is taken more as vacations. It is a kind of holiday from long lasting wedding planning, a chance for the newly wed couple to decompress after months of stress and tension of huge wedding. Some couples even put off their honeymoon until they have some money to spend. But they forget that two years after getting married, it won't be a honeymoon but just a holiday.

A honeymoon is not just getting away from people and not just a vacation. It helps in establishing the new marriage. Honeymoon is casting off of your old life and the beginning of the new one. A honeymoon literally means going away, symbolically and physically, from everybody one knows to a place where no one knows them and where the newly wed could stay together and know more about each other and establish long lasting bond.

Wedding brings two people together physically but honeymoon confirms it and sets the tone for how intimate and passionate the rest of years together will be.

The word first appears in the 16th century. The honey is a reference to the sweetness of a new marriage. And the moon is not a reference to the lunar-based month, but rather a bitter acknowledgement that this sweetness, like a full moon, would quickly fade. via http://www.datingmatchmakers.com/wedding/honeymoon.aspx

Eye in the Sky

Thu, 21 Sep 2006 07:39:47 GMT

New York video artist Tony Oursler is best known for projecting video images of faces on dolls, mannequins, and disembodied heads, thereby bringing to life these otherwise inanimate objects.

Tony Oursler Eyes, détail, 1996

Eye in the Sky features a fiberglass sphere onto which is projected a single eye watching television. Although the rest of the body is not visible, we can hear the sounds of compulsive channel surfing. Without the emotive clues of facial expressions or gestures, we focus on the eye as an orifice, twitching as it gulps weather forecasts, commercials, sitcoms and game shows. For Oursler, the fragmentary nature of the piece -- the disembodied eye, the reflected television screen and the rapidly changing channels -- parallels features of mental illnesses that signal the disintegration of the personality and the inability of the individual to identify with and function in the real world.

Oursler breaks down the traditional boundaries between media by creating a freestanding video sculpture. Eye in the Sky was facilitated by the recent development of miniature LCD projectors that free the image from the cumbersome boundaries of the video monitor, the conventional film screen or the picture frame. Like some strange creature from a science fiction film or surrealist dream sequence, Oursler's eye is a metaphor for the human condition in a media-saturated age.

Tony Oursler Eyes, 1996

Tony Oursler
The Sum of Its Parts, 1997
Fiberglass sphere, Sony CPJ200,
VCR, videotape, and tripod
18 inches diameter (sphere) plus equipment (45.7 cm)

TONY OURSLER, American, born 1957
Eye in the Sky 1997, Mixed media video installation

Without a body or face to convey expression, Eye in the Sky is reduced to a single eye compulsively watching the rapidly changing channels on a television screen that is reflected in its iris. As the eye consumes endless fragments of weather broadcasts, game shows, and commercials, we imagine what effects popular culture's obsession with television has on our psyches. Like some strange creature from a science fiction film or surrealist dream sequence, Oursler's disembodied eye is a metaphor for the human condition in a media-saturated age.

The Naked City - Map Portraits

Wed, 20 Sep 2006 13:57:44 GMT

'Unlike what most people think psychogeography is really very simple: the moment you first step into a room you immediately, without conscious effort, have a heartfelt opinion about it. Psychogeography is the study of the 'stuff' that causes this mental reaction and the psychological and behavioural effects that are evoked by it.' more

Brian Collier Movement Patterns: Human Life as a Series of Lines
map-portraits
'Tracking an individual's regular movements can be both uncomfortably intimate and frigidly anonymous. In this project I create a series of map-portraits based on several individual people habitual weekly travels. These maps are intended as the sole description of each subject's life, paring away any additional events or behaviors.'

'The presentation of these map-portraits intentionally suggests a cold, removed observer studying an anonymous subject. This appearance of scientific objectivity works in direct opposition to the fact that I personally know all the individuals represented. Furthermore, the initial maps were made by those individuals themselves rather than an outside observer. There is an underlying intimacy, evoked only subtly, when the viewer notices the flesh-like quality of the hand-waxed paper or the use of only first names of participants.'

"One of the issues that inspired this project is the contemporary paradox of feeling both invisible and overly visible: the ever-increasing anonymity of an individual meets the ever-increasing exposure of his or her life in environments affected by high-technology tracking, surveillance, and profiling. The more information that an organization has about an individual, the more likely it is that he or she will be reinvented and renamed as a number in a database. Government agencies and businesses have developed ways to categorize and classify an individual based on data collected from a variety of sources.

From an aesthetic perspective one may consider the movement lines on the maps as representing large-scale process drawings made unconsciously by the body of each person as he or she moves through a local environment. These drawings, arguably made by people everywhere as they move through space, remain unrealized unless monitored and documented. I use a book of transparencies to compare movement patterns to one another and also to create a new pattern consisting of all the participants movements.

The issue of tracking movements has taken on new implications in the era of "The War on Terrorism." The recent increase in surveillance and the new powers given to the government to monitor citizens lives create questions about the limits of freedom and privacy. In news debates and private life, people commonly worry that their lives may be "invaded." During the creation of this work, in fact, several participants expressed discomfort, saying that the collection of data about their movements felt intrusive."

***

During the last weekend of Marchs the first session of the 'Hot Summer of Psychogeography' (2002) took place in Amsterdam. Socialfiction, the organisers, sent participants on their way from Dam Square with an algorithmic description of the route. The same experiment was repeated later in the day in the Bijlmer district.

Dérive through Utrecht last year

read this as well

Situationist Guy Debord devised the notion of psychogeography in the 1950s. It deals with the study of the exact laws and specific effects of our geographic environment. Psychogeography describes the sudden change in atmosphere a few metres further along a street, and the different characteristics of city districts. It reveals the path of least resistance a person subconsciously takes when wandering aimlessly and points out the attraction or repulsion of particular places. One of Situationism's practices is the dérive (literally: wandering or drifting), a technique of rapid passage through varied environments. Involving playful-constructive behaviour, dérive examines psychogeographical effects and is thus quite different from the classic notions of journey and routing. Dérives weren't random; they challenged the psychogeographer to use his powers of imagination to experience the urban environment anew - for example, by following scents or negotiating a route through Paris armed with a map of London. What propelled these strollers was not so much curiosity but political and theoretical motivations.>>>

***

Imagine if you were walking in an unfamiliar area of town and suddenly you realized that it was very dark and the shadows looked distinctly unfriendly. But what if you had a map, a map that clearly marked out entire sections of the city as safe, or peaceful or even scary.

Such a map would be dramatically different from normal maps, in that the data being presented is no longer merely objective, but also subjective. Welcome to the new world of psychogeography.

Psychogeography is an umbrella term used to refer to a number of different ways to explore cities and towns. This new field is still emerging and like any new genre there is still a sense of uncertainty. Most definitions hover around the issues of maps and people’s responses to urban spaces and surroundings. The most accessible one is as follows: Psychogeography is the hidden landscape of atmospheres, histories, actions and characters which charge environments.
But there is a basic thread running through all the various versions of psychogeography, and that is the generation of maps. These are maps that challenge all preconceived notions about maps. Psychogeographic maps presenting maps that may or may not be objective.

A case in point is 'mental mapping'. These are maps generated by individuals walking along areas in the city and recording emotions. The resulting map is more than a physical record of distances travelled, it is also a record of the internal state of mind of the map maker. Other kinds of mental maps include maps made from memory alone. Some maps even overlay several such mental maps and the final result is a unique perspective of hitherto familiar areas.

The newness of this field also leads to widely differing methods of map making. By far the most commonly used method is something known as "Generative algorithms". This involves the establishing of a predetermined method of walking, and the psychogeographers follow such algorithms in order to explore the city in new ways. Typically, the rules for walking would involve just a series of instructions such as turn right, and then the second left, etc etc, and soon the participants would end up in places they would never have consciously chosen to go to.

Another example of this new way of walking is using a map of, say, City A, and follow it in City B. Or by randomly following a person on the street and observing the route he/ she takes.

While these projects seem to push the boundaries of maps further, one is tempted to ask what use is it all? For this we have to wait and see. But for sure, the city will no longer be something that lies in-between their houses and offices, instead there is likely to be a renewed interest in the concept of being an urban dweller.

Dinesh Rao

''Atomix - Full of Love, Full of Wonder'

Tue, 19 Sep 2006 13:19:47 GMT

A room full of 50,000 floating, coloured balls arouses some odd responses in people. The spray-painted balls, attached to strings of fishing line, vibrate when wall-mounted fans are switched on, and took 10 days to install.

via thingsmagazine

M O O N

Mon, 18 Sep 2006 08:30:52 GMT

KIKI SMITH

MOON 1997
lead paint on 83 Opal Remi glass panes, 16' x 13' x 3.5" overall

Moon with Stars I, Bronze. : 97.2 x w: 97.2 x d: 5.1 cm / h: 38.3 x w: 38.3 x d: 2 in

Tidal, 1998
Photogravure, phtolithography, and silkscreen
10 1/4 x 9 11/16” boxed, 19 1/2” x 126 1/4” open

ASCII architecture

Sun, 17 Sep 2006 07:10:40 GMT

St George Hall, Liverpool, Designed by Harvey Lonsdale Elmes at the age of 23 is one of the finest neo-classical building in Europe:

The project consists in fully covering the St. Georges Hall with the projection of ascii rendering of the same surface that it's being projected on.

The Laws of Simplicity

Sat, 16 Sep 2006 10:11:57 GMT

The simplest way to achieve simplicity is through thoughtful reduction.

The Laws of Simplicity (via bifurcated rivets)

photographs by Candida Höfer. Osterreichische Nationalbibliothek Wien X, 2003 (via thenonist)

Organization makes a system of many appear fewer.>>>

Soundwalking

Thu, 14 Sep 2006 17:34:36 GMT

`When was the last time you went somewhere just to hear the sounds?' asks Melbourne-based sound artist Anthony Magen. The sound walk is a simple exercise. It is free! It requires no additional paraphernalia other than your ears and some walking shoes. There is only one rule: no communication within the group. Talking or otherwise. This helps to allow the sounds to become the focus. Magen is the facilitator of our sound walk. A chance to walk through the streets of Sydney and experience the diverse sounds it has to offer. ..The group is one unit, and it is best to stick together through visual contact, especially at night as it can be easy to get lost or separated from the group. Whether experienced as private meditation or as collective silence, soundwalks can refresh your ears and reset your sensual awareness to where you are, live or work. " via junkforcode

Adam and Eve

Wed, 13 Sep 2006 08:41:54 GMT

Ivan Pinkava. Adam and Eve, 1994

Blattschnitte

Tue, 12 Sep 2006 11:06:53 GMT

Natalie Czech, uses vertical aerial photographs that are freely available on the Internet and combines them by multiple superimposition. she concentrates on industrial and railway facilities whose linearity lends itself to suchlike montage.

From the serie: Blattschnitte

Blattschnitte 28, 2005
80 x 60 cm

Blattschnitte 30, 2005
146 x 108 cm

via http://www.kunsthalle-darmstadt.de/Ausstellung/halle.htm

Mapping Your Future

Mon, 11 Sep 2006 08:36:16 GMT

I have found this at the divorce support at About site. but i find it an interesting game for every one

At This Moment, You Are HERE

Most major shopping malls have locator maps at various spots, a red "X" with an arrow pointing to it and the words "You Are Here" so that you can see how close or how far you are to the place you really want to be. Similar maps can be found at highway rest stops to show travelers where they've been and the distance and roads to their destinations.

The difference between those maps and the map of your life is that the "future" is fixed on those maps; the towns ahead will not move or disappear, the stores in the mall will be there when you get there. Life is certainly not that predictable but what we both know is that right now, this minute, YOU ARE HERE.
photo: Created by Anton Leroy.

get some paper - it can be one of those long rolls of banner paper for a printer or a ring binder or journal - and a box of crayons or felt tip markers in different colors.

Make a big red "X" for right now on your paper or in your journal, leaving room to the left of the "X" for your history.

Now, starting at the left or "history" side of your "X" put in significant dates and events as far back as you can remember and as few or as many as you wish. Put the good events on "peaks" and the bad events in "valleys" and you'll no doubt have quite a few events that just happened and you don't consider them peaks or valleys.

For those of you who want to get extremely creative, paste photographs for different events or use other graphics for illustration (such as a baby's crib for the birth of your child, etc.). You don't have to hit every significant spot because you can always come back and add more later.

Putting "What If's" Into Your Life's Journey

Putting peaks and valleys in your future will be more difficult. Your life right now may be in a valley. Here's where you will project some "what if's" for the next few years. For example, what will happen in your life journey if something you're dealing with right now goes through the way you want it to, and what will happen if it doesn't?

You have two possible paths you'll travel as a result of that one event. Maybe you have some goals such as going back to college, or starting a new career, or finding a new love, or leaving an abusive husband, or confronting your wife about a suspected affair, so start there.

"What if" you graduate from college?
"What if" you start your own business or change careers or get a new job?
"What if" you find a new love?
"What if" you leave your husband?
"What if" you confront your wife?
"What if" you do nothing?

Using this method, think about your future in steps. What you project for your future is only your best guess based upon your life up to now and your the goals and dreams you wish for yourself. You already know that your best plans will change despite your work to keep them together.

Reviewing and Revising Life's Peaks and Valleys

Once you have completed your "I am here" map, put it somewhere that you can look at it occasionally and amend it as your future becomes present and then history. You might be surprised at what you see.

Much like making a list of the good and bad of your life and your relationships, mapping out your peaks and valleys up to now and then into the future will give you new insight into what you have, what you want, where you've been and where you're going.

Your life's map will also help to remind you that what you have and where you've been will always be influenced by what you want and where you're going.

Forming a Thought

Sun, 10 Sep 2006 11:56:34 GMT

by Nita L. Sturiale

Nature is a continuous transformation of energy, from galactic motion to starlight to tree to seasonal cycles to human to idea. Though genes and culture are intimately linked the rate at which they each evolve is different. Though culture changes very quickly it is limited by the inherent abilities of brains. The interaction between individual brains and cultural information is a dynamic system of transformation and change. This continuous system moves with wavelike patterns.

/\ Slice from large-scale map of known Universe by M. Geller and J. Huchra
- dots indicate galaxies.Every organism is a living map of time and interaction in nature.

Every artwork and sciencework is a physical record of memories, ideas and information. They are also maps of the human brain. Anything that records an interaction, the movement of one thing through another, can be considered a map. The neuronal connections that represent the growth and learning one has experienced throughout life, a series of stroboscopic photographs of a milk drop falling through air, the path of ones footsteps through a park, each is a map of interaction. As the cut marks of a figure skater's path through ice store information about the speed, direction and weight of the body, a map stores information about its creator. Maps are the external storage of memories. These external databases enable an organism to compare past and distant events with present ones. In the case of land maps, users can locate where they are now, where they have been and where they might want to go. Brain maps can be images of the physical structures of the brain as well as show complicated interconnections of an individual brain's neuronal pathways.>>

Spacetime

Sun, 10 Sep 2006 08:15:09 GMT

Spacetime - Created by nicolai_g. No digital horseplay other than basic curve corrections and resizing.

via bldgblog

Photo Album: November 07

Mon, 14 Jul 2008 10:54:08 GMT

November 07


FeelingBetter		Eric Sanchez cads fish sole	תמונה חדשה (1)
תמונה חדשה (2)	תמונה חדשה (3)	תמונה חדשה (4)	תמונה חדשה (5)
תמונה חדשה (6)	Sonfist-Map_1

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Photo Album: Art. night walk

Mon, 14 Jul 2008 10:47:42 GMT

Art. night walk

Anders Krisar

Kristin Oppenheim. After Dark My Sweet - 3. 2000 c-print

Nan goldin. Valיrie in The Mirror, L'Hotel, Paris, 1999

Anders Krisar7

Kristin Oppenheim. Untitled (Thea with closed mouth 2000 c print

Antonio Saura dama

yoram_kupermintz

2ats

3ats

4ats

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Photo Album: NEW LOVE

Thu, 19 Jun 2008 18:09:52 GMT

NEW LOVE

Michal Rovner 2000

Michal Rovner. mission 1999

Yonatan Amir

Mes Trophées

Arnulf Rainer. Mary 1995

azmon ganor

klein

Bill Henson.Untitled #29, 1998

Bill Henson. Untitled #65, 1998

Ceri Richards Landscape 1967

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Photo Album: November 04

Sun, 01 Apr 2007 01:31:20 GMT

November 04

Noritoshi Hirakawa

NR_Inventory

Photo Album: November 21

Sun, 01 Apr 2007 01:16:04 GMT

November 21

lund1

rostgaard_6_1

rostgaard_6_2

cod_pers_add_20_1

inc397_1

cod_arab_70_1

34_1_96_2

54_320_1

nks_218_2

1_115_1663_1

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Photo Album: October 21

Sun, 01 Apr 2007 00:45:04 GMT

October 21

cart1

cart10

cart2

cart3

cart4

cart5

cart6

cart7

cart8

cart9

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Photo Album: ANNABEL DAOU

Sat, 31 Mar 2007 22:54:49 GMT

ANNABEL DAOU

ANNABEL DAOU 3-america

ANNABEL DAOU 3-america5

ANNABEL DAOU 3-america7

daou_byrum_poster

no_bomb_shelters

Photo Album: Noriko ambe

Sat, 31 Mar 2007 19:58:24 GMT

Noriko ambe

LG-wallcoverings

LG-wallcoveringsdetail

LG-waterworks

LG-waterworksdetail

Noriko ambe Flat Globe detail

Noriko ambe Flat Globe2

karlins7-7-9

LG-noriko

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Photo Album: ART

Sat, 31 Mar 2007 05:08:08 GMT

ART

חוויאר ז'יל

חוויאר ז'יל 2

Patrick Taberna. 2002

Kristin Oppenheim. number 1

Kristin Oppenheim. number 2

Kristin Oppenheim. number 3

Patrick Taberna. Trogir, 2002

Marshes Towellight rita natarova

hands vinci

Gerhard Richter.s oil on canvas

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Photo Album: October 31

Fri, 30 Mar 2007 20:25:34 GMT

October 31

Meryl Meisler _dolphins

Meryl Meisler _escalator

Meryl Meisler _grand_basket

Meryl Meisler _lobster

Meryl Meisler _mapping

Meryl Meisler _off_the_deep_end

Meryl Meisler _starfish

Meryl Meisler art_for_art_sake

Noriko Ambe

Noriko Ambe2

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Photo Album: things

Mon, 12 Feb 2007 10:46:14 GMT

things

telaviv5

telaviv3

telaviv6

telaviv10

telaviv11

Untitled Photo

bt Technology

A quoi ca Sert L'amour

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Photo Album: Brik a brak

Fri, 19 Jan 2007 08:13:11 GMT

Brik a brak

Hiroshi Sugimoto 2

ILSE BING

Joseph Jurson

White Rhinoseros

Nan Goldin

Anneliese Strba 2001

Calla Lilies (1941)

sk-a-3584

aram gershuni

Sally Mann 98_

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